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Advertisement - Continue Reading Below. The animators next built muscular and skeletal layers, using Plitt's hi-def video as a reference for how those layers would interact with each other on a real human. Filmmakers instead chose to shoot Crudup on set with his co-stars. But even though going the CGI route solved a lot of problems, Manhattan's contemplative nature--and Snyder's long, close-up shots--meant that the character had to be able to emote believably. Billy's performance is the source material, but Doc is an all-digital character. But on film, creating a blue, glowing muscleman wasn't quite so easy. All the cameras were synced so animators could triangulate Crudup's performance in-frame. Manhattan after he's accidentally "atomized. The crew then 3D-digitized Crudup's head and "frankensteined Billy's head onto Greg's body," Travers says. Typically, motion capture is the basis for the movement of CG characters, but both DesJardin and Travers knew that wouldn't work in this case. Crudup's suit was also equipped with LEDs to create Manhattan's diffuse blue glow. When Pete Travers, the visual-effects supervisor at Sony Imageworks, got the call in early summer to work on the film adaptation of Watchmen , he had never heard of Alan Moore and Dave Gibbons's groundbreaking graphic novel. Manhattan was not possible," he says. Or that he is quite possibly the buffest superhero to ever grace print and screen. DesJardin had worked with Travers on The Matrix , so he approached Travers to assist in the creation of Watchmen 's only superhero with true super powers.

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Billy Crudup plays Dr. Manhattan, an omnipotent blue superhuman–the only Malin Ackerman as Silk Spectre in a sex scene in Watchmen.

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Description: They tasked Chris Gilman at Global Effects with building a lightweight, flexible motion-capture suit covered in pattern markers--"they looked like little Atari symbols all over his body," Travers says--that would allow animators to track the actor's movements via video rather than traditional infrared motion capture. It also cast into areas we never thought it would. Manhattan was created, filmmakers placed him over Crudup in each scene, only digitally removing the actor when his movements didn't quite match those of his CGI counterpart. In the comic, nuclear physicist Jon Osterman transforms into the all-powerful Dr. The crew then 3D-digitized Crudup's head and "frankensteined Billy's head onto Greg's body," Travers says. Initial tests to ensure the suit's effectiveness occurred in June with a naked Beowulf, also created by Sony Imageworks, standing in for Manhattan. Filmmakers instead chose to shoot Crudup on set with his co-stars. Or that he becomes four versions of himself. When Pete Travers, the visual-effects supervisor at Sony Imageworks, got the call in early summer to work on the film adaptation of Watchmen , he had never heard of Alan Moore and Dave Gibbons's groundbreaking graphic novel. DesJardin had worked with Travers on The Matrix , so he approached Travers to assist in the creation of Watchmen 's only superhero with true super powers. Watch the Story watchmen digital studio digital hollywood special effects science fiction visual fx news technology. Advertisement - Continue Reading Below. It's an effect he repeats on bad guys throughout the film, and one that DesJardin and Travers put a lot of thought into. But on film, creating a blue, glowing muscleman wasn't quite so easy. As animators were creating Manhattan's CG character, filming was occurring on Watchmen.
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