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That was not enough though. the public wanted more. She found her designs everywhere from the "fashion houses of Europe to the Sears Roebuck catalogue" Westenhouser social lines could be crossed. Johnson was a stickler for details, and because the dolls were not mass-produced the early outfits readily included every minute zipper, silk lining, hand-sewn label, and pearl choker that had graced the romantic French "haute couture" styles they emulated. For these first-generation Barbie owners, she "taught independence Skipper was the answer to the request for Barbie to have kids. instead of marrying, Barbie and Skipper would babysit. At her debut she received mixed reviews. Her earliest fashions adhered to the philosophy "the doll sells the clothes and the clothes sell the doll" West Granted, Barbie may not have been a women's rights activist in , but she was a reflection of women's roles in society at the time. Several trips to and from Japan finally ended with a deal that changed the pursed lips, widow's peak, and heavy make-up of Lilli into an embodiment of the quintessential American teenager, created to "project every little girl's dream of the future" Billy Boy She shared her idea of a doll with a woman's figure with her husband and the all-male executive team at Mattel, but they refused saying that it would be too expensive to produce and the retail price would have to be higher than the consumer would pay. These provided the "pleasant and cheerful experience" of "Barbie-Q" to which Charlotte soon added the "elegance and style" of "Gay Parisienne" Billy Boy She realized that as her daughter grew older and began to imitate adult conversations and the world around her, she needed a three-dimensional representation of it as well.

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Description: Several trips to and from Japan finally ended with a deal that changed the pursed lips, widow's peak, and heavy make-up of Lilli into an embodiment of the quintessential American teenager, created to "project every little girl's dream of the future" Billy Boy She again approached them with the idea after returning from a trip to Europe with a Lilli doll, a German doll produced in the mid- fifties. The country had been through two world wars and a depression, and the fifties presented a time for young adults to come into the limelight. These inventions helped kids to understand relationships and manners. Their seemingly perfect life did not survive without criticism. many saw Barbie as antifeminist who was a victim of a man-oriented society. Over the next two years suggestions to remold Barbie surfaced. however, the Handlers insisted on a strict adherence to the original mold to ensure familiarity among consumers. Along with these appeared sleepwear for slumber parties, which were favorites of young girls, as well as homemaking and hygiene-influenced designs. The Handler's hoped that American mothers would see the tennis dress and ballerina outfit as stable, safe representations of fun and frolic for teenagers, and the football game outfit and wedding dress as wholesome and pure dreams for the future of their daughters. But it was questionable whether or not the American public was ready for a doll with a woman's figure. Thus, for Barbie's first advertising agency, she ceased to be a doll and became a living teenager that young girls would want to imitate. Granted, Barbie may not have been a women's rights activist in , but she was a reflection of women's roles in society at the time. They saw the introduction of Ken as an indication that women could not stand on their own and had to be constantly supported by men. They had coordinating outfits for fraternity parties, lawn picnics, drive-ins, and the beach. As the first "season" of designs came to a close, one can see the imminent evolution of Barbie's wardrobe, personality, and image as a social revolution appeared on the horizon. Mattel was against the introduction of Ken because male dolls had not historically fared well in the market, but requests for a boyfriend for Barbie were endless.
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